Training: Originally from Derry in Ireland, Aoibheann trained at Trinity Laban Conservatoire of Music and Dance in London.

Theatre credits include: 

Marge in Kinky Boots (NCL); Nellie in Some Enchanted Evening (The Barn Theatre); Cricket in Pinocchio (U.K tour); The World Goes Round (the MAC); Pam in Third Wheel (Crazy Coqs/online web series); Lead Singer in Titanic Dance (China tour); Marion in Robin Good (Norwich Playhouse); and Baguette in Beauty and the Beast (Sutton Coldfield), for which she was Musical Director.

Recordings: Third Wheel

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Film and TV: 5 Minutes of heaven (Big Fish Films); Spill It (BBC); In Cold Blood (BBC)

AOIBHEANN BIDDLE

TITANIA/HELENA/STARVELING

Training: Webber Douglas

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Theatre credits include: 

A Christmas Carol (Scoot Theatre); Private Lives, The Hound of the Baskervilles, Blithe Spirit (Mill at Sonning); House And Garden (Watermill); Don't Dress For Dinner, Cash On Delivery, Tom Dick & Harry, The Man Upstairs (Southwold); For All Time (Fletcher Prods/Southwark Playhouse); Robin Hood (City Varieties); Across the Dark Water (The Point); A Midsummer Night's Dream, The Comedy of Errors, Twelfth Night, The Taming of the Shrew, Pocket Henry V & The Merchant of Venice (Propeller); The Trial of Jane Fonda (Assembly Rooms); Batman Live (World Tour); Peter Pan (O2 Arena & US tour); Messenger (Shunt); A Number, Dick Barton, Dead Funny (Keswick); Hamlet, The Grapes Of Wrath, Summer Lightning, Chimneys (Pitlochry Festival Theatre); UK tours of The Lady Vanishes, The BFG and Equiano; Othello (Southwark Playhouse); Romeo and Juliet (TNT World Tour); The Taming of the Shrew (Creation); The Focus Group, Flow My Tears The Policeman Said, Crash (The Oval House); The Glass Menagerie, The Arcade (BAC).

DARRELL BROCKIS

OBERON/BOTTOM

Training: Guildford School of Acting

Theatre credits include: 

The Diary of Adrian Mole Aged 13 and 3/4 The Musical (The Queen’s Theatre Hornchurch); The Play that Goes Wrong (West End); A Christmas Carol (Scoot Theatre); A Midsummer Night’s Dream (Scoot Theatre); The Wind in the Willows (Jermyn Street/GSC); The Last of the Pelican Daughters (The Wardrobe Ensemble/Complicte/Bristol Old Vic); A Christmas Carol (Theatre by the Lake); For Services Rendered (Jermyn Street Theatre); Shadowlands (Chichester Festival Theatre); Macbeth (Watermill Theatre); A Christmas Carol (RSC); Love’s Labour’s Lost/ Robin Hood (Guildford Shakespeare Company); Twelfth Night (RSC); Footprints on the Moon (Finborough Theatre); 
The Emperor and the Nightingale (Theatre by the Lake); Singin’ In the Rain (Bolton Octagon/Salisbury Playhouse/New Vic).

SALLY CHENG

HERMIA/SNUG

Training: Miles trained at the Royal Central School of Speech and Drama.

Theatre credits include: 

A Christmas Carol (Antic Disposition); The Comedy of Errors and A Midsummer Night’s Dream (Scoot Theatre); Onwards, an Evening with Drew Gasparini & Friends (The Phoenix Arts Club).

Credits whilst training include: Hanschen in Spring Awakening; Hamlet in Hamlet; Todd in Sweeney Todd; Love and Information; "I Want...": A Musical Review

MILES HENDERSON 

LYSANDER/SNOUT

ROWENA LENNON

PUCK/FLUTE

Training: Mountview Academy of Theatre Arts. 

Theatre credits include: 

The Jungle Book (Watermill Theatre); The Animals and Children took to the Streets (1927 Productions); Golem (1927 Productions); Frankenstein (Watermill Theatre); Boudica Workshop (Shakespeare’s Globe); Rocks (Arts Theatre West End & Miniaturists); Jekyll and Hyde (Sell A Door); We’re Going on a Bear Hunt (World Tour and West End); The Railway Children, Pride and Prejudice and The Wind in the Willows (Heartbreak Productions); Othello (Swivel Theatre Company); True Love Waits (Box of Tricks). 

Television includes:  Call the Midwife (Neal Street Productions). 

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Film includes: Ape (Rogue Films); Junkhearts (Coded Pictures).

LUKE THORNTON

DEMETRIUS/QUINCE

Training: Luke trained as an Actor Musician at Rose Bruford College.  His many varied instrument skills include: drums, bass, guitar and harmonica.  He is delighted to join the case of A Midsummer Night's Dream.

Theatre credits include: 

Nigel in The Secret Diary of Adrian Mole the Musical (Queen’s Theatre Hornchurch); Steven/Tony Sharpe in Love Letters (Queen’s Theatre Hornchurch); One-Eye in Weapons of the Weak (The Other Palace); Cheever in The Crucible (Pitlochry Festival Theatre); Ensemble in Midnight (Union Theatre, Southwark); Edwin in Summer Holiday (Octagon Theatre Bolton and Pitlochry Festival Theatre); Various roles in Beauty and the Beast, The Panto That Nearly Never Was, Jack and the Beanstalk, Dick Whittington, Sleeping Beauty, Aladdin (Theatr Clwyd); Solo Singer in Welsh Musical Theatre Orchestra - A Night at the Musicals (Congress Theatre); Onstage Swing/1st cover Willard in Footloose (UK Tour); Douggie in Dusty (Charing Cross Theatre); Rolf in Chitty Chitty Bang Bang (London Palladium and Sunderland Empire); Frog in The Cunning Little Vixen (Queen Elizabeth Hall).

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Luke also sings as part of the Four Harmonies (Jersey Boys Tribute) and has been a soloist at the Royal Albert Hall and Sydney Opera House.

MAX HUTCHINSON

DIRECTOR - A MIDSUMMER NIGHT'S DREAM AND

ARTISTIC DIRECTOR OF SCOOT THEATRE

Alana Ashley is a multi skilled creative, working in the theatre, TV and film industries as a designer, assistant and maker. 

She is an award winning MA graduate of Theatre Design from Bristol Old Vic Theatre School and the founder of Whitecard Collective, a group for graduates set up during the pandemic. 

Previous design credits include:  Shirley Valentine (Theatre Royal Bury St, Edmunds), A place by the bridge (Tobacco Factory Bristol).

Assisting credits include multiple brilliant projects with designer Sam Wilde and Outlier with designer Rebecca Wood.

Currently designing shows for theatres and immersive event companies around the UK, including Theatre Alibi and Scoot theatre!

ALANA ASHLEY

DESIGNER

Hermia loves Lysander. Lysander loves Hermia. But Demetrius loves Hermia. And Helena loves Demetrius.

They all run into the woods where the mischievous sprite Puck has plenty of tricks in store for them! Meanwhile, the local cricket team is getting together to rehearse a play…

Expect music, magic, and cricket bat sword fights!

                                            “I loved it” 

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“Hilarious…accessible for all ages”